Archive for July, 2012

Flashbacks: The Greatest “Super” Group That Never Will Be!

Hey there, Sleepwalkers. The new projects (and my job) are taking up most of my time, but you have not been forgotten. In the meantime, take a stroll down memory lane with this piece!

With their larger than life personalities, outlandish costumes, and seemingly superhuman levels of talent, rock stars might be the closest thing to superheroes the real world has. Except, for, you know, the drug use, sex scandals, public meltdowns, and the fact their battles are usually carried out through Twitter. But maybe we can change that by introducing some superfolks into the traditional rock and roll formula. So buckle up, Sleepwalkers, and get ready to see the first supergroup that lives up to the name!

Frontman

Arguably the most important factor in a band is the lead singer. This is the person that’s going to be commanding the audience through charisma and force of will. They have to have the showmanship of a magician and the kind of raw, unrestrained talent that’ll drive the audience wild. Fortunately, comics give us no shortage of nominees.

For example, there’s Booster Gold, the time-traveling security guard turned protector of the time stream, whose 25th-century technology would mean great pyrotechnics. Unfortunately, while an out-of-control ego is a sad reality for many bands, Booster’s might be a little much even for rock star standards.

Black Canary is another obvious choice, as her powerful voice and knowledge of team dynamics would make her valuable for any group. Besides, her outift–fishnets, high-heeled boots, and a leather jacket–wouldn’t be out of place at a Joan Jett concert. Unfortunately, “a voice that can bring down the house” shouldn’t really ever be literal, so Dinah is out of the running.

A more intriguing choice can be found in the Purple Man, the man who can mind control legions of people at a time–the perfect skill for a band that wants to get a lot of fans quick. Unfortunately, I don’t know how well PM’s powers work over the Internet, and with the modern music scene so focused on social media, it might be difficult for even such a veteran manipulator to hold on to anyone with a Twitter-addled attention span. Plus, having to schedule tours and recording sessions around his court-approved vacations would be a logistical nightmare. No, the best option is clearly…

Dazzler

I chose Dazzler, real name Alison Blair, for two reasons: one she brings invaluable real-world touring experience to the group, which is essential. You can’t just toss some newbie onto the stage and expect them to be able to handle it. The stress of a musician’s life isn’t something you want to shove at the wrong type of person, and Dazzler has proven that she can handle the shock of fame. The second reason is financial–since she can provide her own stage show, the band will save a bundle on pyrotechnics. Sure, her musical experience is disco, but I’m sure that with the right bandmates, she’ll be able to shine (pun intended) on her own merits.

Guitar

In the old days of rock, the lead singer might have been the smoldering, sneering king, but the guitarist was his bloody right hand, the Destro to any given band’s Cobra Commander.

The Flash might strike some as the easy choice, and it isn’t hard to see why. He would be able to rip solos that would make Eddie Van Halen bow his head and shame and hang up his picks forever. Plus, his connection to the Speed Force means any drugs he takes will be metabolized through his system before you can say “Hot For Teacher.” The downside, of course, is the ever-present fear that he might be erased from the timestream by his nemesis, and you can’t cut a single with that kind of stress hanging on your head.

Doc Magnus’ Metal Men are an unconventional, but not unacceptable possibility; their unique affinity for shapeshifting means they could form themselves into a pretty nifty guitar. Plus, there’s the added benefit of them being able to play themselves. Unfortunately, their tendency towards destruction leads me to look for someone a little more durable.

I considered Jack Knight, Starman, for a long time, but ultimately I had to discard him. At first glance, he’s perfect. With a goatee like that, it’s impossible that he’s never picked up a guitar before, if only to pick out “Wonder Wall” at a college party. And his distinct retro sensibility and grunge style would lend his band instant hipster cred. Sadly, he was overshadowed by one woman:

Elsa Bloodstone

Elsa Bloodstone’s raw, take-no-prisoners style is the perfect foil to Dazzler’s clean-cut high energy vocals. Between the two of them, they would introduce a pesudo-punk riot grrl dynamic that would set them apart from their contemporaries and carve out a distinct niche of their own. Besides, Bloodstone can break a guitar like no one since Pete Townshend.

Bass

Traditionally, the bassist is the steady, unsung hero of the band. They’re the support staff–their rhythm is the perfect companion to the more explosive drummer, and their strings weave a beautiful, complex tapestry when partnered with an expert guitarist. It’s only natural then, that they are the most frequently ignored members of the band.

The Martian Manhunter gets a mention here, and not only to appeal to the formality that he’s the most steadfast member of the Justice League. After all, an invisible bassist won’t hog the spotlight, and linking the bad together with telepathy is a great way to make sure everybody stays on the right track. The only problem is, one accident with the onstage pyro and he’s a puddle of goo.

The most obvious choice is Scott Pilgrim. The “best fighter in the province” could bring some of his experience to this gig, and I’m sure he’d appreciate the mainstream exposure and the chance to rock out with some real heroes. Unfortunately, he’s irresponsible, unambitious, has a tendency to re-write history, and worst of all, is Canadian. The best choice, therefore, is:

John the Skrull

John the Skrull is, as his name suggests, a Skrull that  looks like John Lennon. He’s also a Skrull that plays like John Lennon, which means that in addition to rocking a six-string bass, he can offer his talents at the harmonica and piano to the mix. That multi-instrumentalism, coupled with his shapeshifting ability, makes him officially the most versatile member of the band.

Drums

My first instinct for this category was to go for The Drummer, for reasons I think will be obvious. As it turns out, he isn’t actually a drummer. Also, he’s crazy. Not in a Gary Busey kind of way, where you just throw TVs out of hotel windows and drive into rivers. Like, actually crazy. Kim John Il-type crazy.

Spiral is a more reasonable choice. With her six arms, she can play three times as many drums as anyone else. But at the risk of pissing of Laura Hudson, I don’t want to add to many ladies to this band. Besides, playing more drums doesn’t necessarily mean playing better; I mean, look at Charlie Watts. Dude has a snare and a symbol and he’s a legend.

I actually thought about Arsenal longer than I should have. After all, his improvisational fighting style would probably carry over into some pretty unique percussion sets. One second he could bang on a flowerpot, then he throws a pair of drumsticks at a gong across the stage…I think it’d be a neat show. Kind of like STOMP. But then I realized that most drummers wait until after they get famous to start their drug habit. Ol’ Roy has something of a head start, and in this game that isn’t exactly a plus. Besides, Def Leppard has already cornered the market on one-armed drummers. That leads us to…

Atrocitus

This might seem counterintuitive, but think about it. The constant BA-BUM, BA-BUM of a Red Lantern’s non-heart would be invaluable as an impromptu metronome, and you can’t be a good drummer without at least a little bit of aggression. After all, it takes real passion to beat the hell out of something for two hours at a time–just look at Keith Moon. On the other hand, when Keith Moon throws up and passes out, you just have to splash water on his face. When Atrocitus throws up, his blood eats through the stage. And he’d be a nightmare to work for–one blue M&M in the dish, and he rips your heart out. But rage is better than depression, and the drums will probably be a good outlet for him.

So that’s it, Sleepwalkers! What do you think? Is there anybody I’ve forgotten? Any new positions I need to open up? Should the Stepford Cuckoos be singing backup? Any ideas for a name? Hit me up in the comments with your suggestions!

That’s all the time we have for today, Sleepwalkers–stay cool out there, and remember: rock on!

First Project

Hey Sleepwalkers. Remember I said that I was working on some things I couldn’t talk about?

Here’s the first.

Hopefully, this’ll be a regular thing.

So guess what came in the mail…

If you’ve read this, you’ll know how excited I am about getting to read some of these stories. I did have a brief moment of trepidation when I read the credits page, and found that virtually every story was written by someone else (even the Shade stories have dialogue by Michael Fleisher), but that went away after I read the very first caption on the very first page of the very first issue of Shade the Changing Man:

Our story begins here, on the EXTRA-DIMENSIONAL world of META, as government security forces storm the forbidden citadel of the evil CRIME COUNCIL…

Throw in the fact that the rest of the 450-page volume is made up of Steve Ditko-illustrated stories by Otto Binder, Bob Kanigher, Paul Levitz, and Len Wein, and I can’t figure out why I haven’t bought this sooner. Hopefully my initial enthusiasm will be warranted. I’ll try and keep everyone posted.

Taking A Break

I’m taking a break while I work on some other projects (which I hope to reveal very soon). I’ve been distracted by the third episode of the Penny Arcade game, but I’ve beaten it (again), so hopefully I’ll be able to focus more. Anyway, hopefully this won’t last as long as the last time I fell off the blogosphere.

DC’s October Solicits: Decoded!

Hey Sleepwalkers! I know, it’s been a while. But I’m back! So on to the blogs. DC recently announced their solicits for October, and as always, I’m here to explain to you what’s important. What are the big changes? What am I excited about? What’s the best cover? Is Rob Liefeld still writing? All this, and more, will be revealed!

Creative Changes

Morales and his terrifying eyeballs are out of Grant Morrison’s Action Comics (again)–he’s replaced, for this issue, at least, by Travel Foreman. You’ll recall that Foreman was shifted off of Animal Man to go to Birds  of Prey–Romano Molenaar draws for that title this month. And Ethan Van Sciver is totally off Firestorm for good, it seems, putting the final nail in the coffin of DC’s abortive Simone/Van Sciver run. I can’t see Dan Jurgens making the title a great deal better, but he can’t make it a whole lot worse.

The big news, of course, is in the Batman solicits, with Catwoman and Detective Comics: I mentioned last month that Judd Winick must have pulled some serious voodoo to take Green Arrow #0 from Ann Nocenti. Now, it seems that Ms. Nocenti has returned the favor, taking over the Catwoman ongoing. And it’s got a lady artist in the form of Adriana Melo, who joins the ranks of Andrea Sorrentino, Amanda Connor, and Nicola Scott in DC’s ever-growing stable of talented female artists.

Detective Comics is, as I said, and as I’m sure you’re heard, getting a major new face: Chew’s John Layman is taking over from Tony Daniel, who in turn will be taking over for Jim Lee on Justice League for two issues. I don’t have to say what a big deal it is to get Layman–to call him a superstar would be underselling things a bit. The dude exploded onto the scene, and if he can bring half the humor and intrigue from Chew to ‘Tec, it’ll be an essential pull every month.

Batman

The Batman family solicits have me excited this month, and for good reason. Layman is taking over Detective Comics, as I’ve mentioned, but take a look at what else is in store:

-Scott Snyder’s new ongoing, Talon, starts in earnest;
-Grant Morrison returns to the possible future of Batman #666 in this month’s Batman, Inc, which promises the glorious madness that’s been absent from Action Comics;
-A Batwoman/Wonder Woman team-up in the pages of Batwoman #13;
-And, perhaps most importantly, Snyder writes Joker in Batman #13.

Let me repeat that for those of you in the cheap seats: Scott Snyder is going to be writing the Joker. For those of you who didn’t read Snyder’s run on Detective Comics, this is what happens when Snyder gets his hands on the Clown Prince of Crime:

It’s absolutely chilling, psychotic, and terrifying. Now, imagine that scene drawn by Greg “Hasn’t Missed An Issue” Capullo. Very, very much looking forward to this.

Annuals

It’s good to see DC sticking with their policy of giving love to the fifth week. This month, we get Action Comics, Batgirl, Justice League Dark, and Swamp Thing. I’m tentatively excited about JLD; after all, if there’s one character I want to like more than any other in the New 52, it’s Frankenstein; my problems with that title, on the other hand, are well-documented. I’m waiting to grab some of the Kindt issues to see if they’re an improvement over Lemire’s work, but time will tell. Meantime, I’m enjoying Lemire’s work on Justice League Dark, but if he brings Frank into it, I don’t know what to think.

But Action should be interesting, if nothing else. I should mention that fact that DC seems to be really pushing Sholly Fisch–in fact, I might go so far as to leverage the original purpose of these “Decoded’s” to propose that they’re grooming him to take over the title from Morrison. If that happens, you heard it here first, and you best believe I’m going to brag about it.

Best Cover of the Month

With The Shade wrapping up in September, Tony Harris doesn’t have any entries this month. Thus, the only real choice was Adam Hughes absolutely terrific cover for Dr. Manhattan #2:

Gorgeous.

Anthologies

I am, as always, thrilled at DC’s apparent commitment to anthology titles, for a number of reasons. Separate from the backups in some of their books (a policy which I enjoyed during the brief window of time where that was the policy in every book), I love the idea that there is a slow but steady growth of dedicated non-cape books, like in the days of old. DC is now publishing a Western (All-Star Western), a “weird war” series (GI Combat), a sword and sorcery book (Sword of Sorcery, naturally), and even a cape-and-tights anthology (DC Universe Presents)–it’s just a great idea, with a lot of potential for trying out new things. Case in point? The Haunted Tank is going to be featured in an ongoing series. In 2012. It gives me hope that DC will continue to explore their massive back catalogue of interesting characters.

I enjoyed what I read of ASW, and I’m looking forward to all three of the rest–the Haunted Tank in GI Combat, Amethyst (Dan Mishkin’s misgivings notwithstanding) and post-apocalyptic Beowulf in Sword of Sorcery, and Blue Devil and Black Lightning in DC’s most consistently enjoyable and underrated title, DC Universe Presents.

And yes, DC, you can quote me on that.

Liefeld?

Yep. Still writing three ongoing series.

In 2012.

Meanwhile, Brian Clevinger’s pitches get turned down.

That’s all for today, Sleepwalkers! Keep checking back–I have some things planned!

Chill

Be cool. I’m working on it.

The Arsenal, Entry #7

Hey, Sleepwalkers! It’s Saturday, and around here on Later I Will Destroy This Earth, we like to give you a little something to tide you over until Monday. So sit back, relax, and take a look at some of the most unconventional weapons in comics, in a little recurring segment we like to call “The Arsenal.”

Arsenal Entry #7: Concrete Block

Micro Reviews for June, 2011

Hey there, Sleepwalkers! Hopefully you’ve noticed the short “Micro Reviews” on the sidebar every week or so. If not, don’t worry–I’ve got all of the Micro Reviews from the month of June (and the handful from May) for your reading pleasure!

May 16, 2012–Saga #3 by Brian K. Vaughan and Fiona Staples: Surprising no one, Vaughan continues to craft a story that, three issues in, already has more intricacies than most long-running stories. The three-way plot unfolds in a way that makes every scene more intriguing and revealing than the last. Staples astounds as usual, her art in turns sketchy, evocative, and brilliant. If you aren’t reading this, you’re missing out on a modern classic.

May 23, 2012–Batman Incorporated #1 by Grant Morrison and Chris Burnham: After what feels like a lifetime, Morrison returns to the sandbox he created last year. If you liked the earlier series, it’s much the same—a lot of symbolism, a lot of astonishingly choreographed fight sequences courtesy of the talented Chris Burnham, and some great character beats (and Bat Cow!). It’s good to see the Hood and El Gaucho at each other’s throats again, and the mystery of Wingman’s true identity promises to be rewarding. Off to a good start.

May 30, 2012— Harley Quinn’s Revenge: This little bit of DLC for last year’s generally phenomenal Batman: Arkham City is a little bit difficult to pin down. On the one hand, it’s more of the same, which is a good thing—the flawless combat system, the superb voice acting, and the supremely tight gameplay all create a sandbox that’s fun to return to. But it’s a little bit too short to justify the $10 price tag, and the biggest draw—the ability to play as Robin—isn’t that Earth-shattering for completionists (like me) who already own the Robin DLC. It’s worth it, but don’t get too excited.

June 3, 2012—Higher Earth #1 by Sam Humphries and Francesco Biagini: I’ve never drank the Sam Humphries Kool-Aid, and this debut issue doesn’t do much to change my mind. There are some great panel layouts and swordfights, but it’s really counting on the fact that the unanswered questions will keep the reader coming back next month. Unfortunately, it forsakes the world-building that makes books like Saga and Manhattan Projects so intoxicating. Not a bad book by any means, but not transcendent. The alternate-universe story has a lot of potential, but this issue is just sort of…there.

June 6, 2012—The Spider #1 by David Liss and Colton Worley: I was a huge fan of Liss’ Mystery Men, and disappointed that it didn’t get more recognition. He carries on the pulp-inspired work here, and I was pleasantly impressed with what he was able to pull off. His take on pulp hero the Spider reminds me of nothing so much as Denny O’Neil’s run on The Question, and believe me, that’s a compliment. Corrupt city, masked man, bad cops; the art by Worley is good as well, especially his colors. They do a really great job of setting the atmosphere. I’m looking forward to this one.

June 16, 2012—Swamp  Thing #10 by Scott Snyder and Francesco Francavilla: My first thought at getting this comic was, “Oh, I didn’t know Francavilla drew this one.” My second thought was, “Holy crap, I had forgotten how gorgeous his color work was.” Seriously, this is one of the best-looking issues of Swamp Thing yet, and for this book, that’s saying a hell of a lot. ST has gotten a lot of critical acclaim, and not without merit, but I found the last few issues to be a little lacking. With this issue, we get Snyder and Fracavilla at the top of their game, bringing the same greasy, baneful familial tone that they brought to their collaboration back in Detective Comics. Fantastic.

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